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Having taken care of himself since he was 8 years old, he tells Mina that money comes and goes and makes little difference to him. Mina even accuses Youssef of stealing fabric, docking his pay despite him convincing Halim that he’s no thief. But at the same time, she watches the handsome new employee like a hawk, clocking with increasing irritability every doe-eyed gaze he directs at Halim and every lingering glance that Halim returns. Previous apprentices have lost interest and moved on quickly. Mina, a bluntly plainspoken woman of Berber origin, initially encourages Youssef, since her husband has more work than he can comfortably handle and is not inclined to rush. Those words softly resonate with notions of what makes a relationship durable, as well as the encroaching obsolescence of handcrafted tailoring in favor of machine fabrication. “A caftan must be able to survive the one who wears it. Youssef’s responsiveness appears driven as much by the tailor’s dedicated craftsmanship as by the unspoken but clearly mutual physical attraction between the two men. The attention to detail of Virginie Surdej’s camera in these work scenes - the spools of golden thread, the precision needlework, the regal braiding and intricate construction of long rows of Rouleau loop buttonholes - conveys the love that Halim pours into his trade. In particular, Halim’s elaborate work on a splendid blue caftan for the pushy wife of a town official fascinates Youssef. The impatience of customers wanting faster service and the backlog of orders necessitate hiring an apprentice, Youssef (gifted newcomer Ayoub Messioui), a quiet young man eager to learn everything that Halim teaches him about pattern-making, tailoring and embroidery. In one of the oldest medinas in the northwestern Moroccan city of Salé, Halim (Saleh Bakri, The Band’s Visit) and his wife Mina (Lubna Azabal, so memorable in Adam) run a caftan shop where he hand-sews made-to-measure garments according to vanishing traditions he learned from his late father. Screenwriter: Maryam Touzani, in collaboration with Nabil Ayouch When using a search engine such as Google, Bing or Yahoo check the safe search settings where you can exclude adult content sites from your search results Īsk your internet service provider if they offer additional filters īe responsible, know what your children are doing online.Venue: Cannes Film Festival (Un Certain Regard)Ĭast: Lubna Azabal, Saleh Bakri, Ayoub Messioui Use family filters of your operating systems and/or browsers Other steps you can take to protect your children are: More information about the RTA Label and compatible services can be found here.
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